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[In Press] Cross-clause planning in Nungon (Papua New Guinea) : eye-tracking evidence
Sarvasy, Hannah (R19492); Morgan, Adam M.; Yu, Jenny (S33569). - : U.S., Springer New York, 2022
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2
(Not) Keeping another language in mind: Structural representations in bilinguals
Ahn, Danbi. - : eScholarship, University of California, 2021
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3
Translation distractors facilitate production in single- and mixed-language picture naming ...
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4
Translation distractors facilitate production in single- and mixed-language picture naming ...
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5
Shared syntax between comprehension and production: Multi-paradigm evidence that resumptive pronouns hinder comprehension
In: Cognition (2020)
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6
The Acquisition and Mechanisms of Lexical Regulation in Multilinguals
Tomoschuk, Brendan. - : eScholarship, University of California, 2019
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7
The role of working memory for syntactic formulation in language production.
In: Journal of experimental psychology. Learning, memory, and cognition, vol 45, iss 10 (2019)
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8
Perceptual features predict word frequency asymmetry across modalities.
In: Attention, perception & psychophysics, vol 81, iss 4 (2019)
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9
The mental representation of syntax: Interfaces with production, comprehension, and learning
Morgan, Adam Milton. - : eScholarship, University of California, 2019
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10
Syntactic Entrainment: The Repetition of Syntactic Structures in Event Descriptions.
In: Journal of memory and language, vol 107 (2019)
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11
When a seven is not a seven: Self-ratings of bilingual language proficiency differ between and within language populations
In: BILINGUALISM-LANGUAGE AND COGNITION, vol 22, iss 3 (2019)
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12
It depends: Optionality in the production of filler-gap dependencies
Fadlon, Julie; Morgan, Adam M; Meltzer-Asscher, Aya. - : eScholarship, University of California, 2019
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13
A Mechanistic Framework for Explaining Audience Design in Language Production.
In: Annual review of psychology, vol 70, iss 1 (2019)
Abstract: Audience design refers to the situation in which speakers fashion their utterances so as to cater to the needs of their addressees. In this article, a range of audience design effects are reviewed, organized by a novel cognitive framework for understanding audience design effects. Within this framework, feedforward (or one-shot) production is responsible for feedforward audience design effects, or effects based on already known properties of the addressee (e.g., child versus adult status) or the message (e.g., that it includes meanings that might be confusable). Then, a forward modeling approach is described, whereby speakers independently generate communicatively relevant features to predict potential communicative effects. This can explain recurrent processing audience design effects, or effects based on features of the produced utterance itself or on idiosyncratic features of the addressee or communicative situation. Predictions from the framework are delineated.
Keyword: audience design; Cognitive Sciences; Communication; forward modeling; Humans; language production; Marketing; Models; prediction; Psychological; Psychology; Social Behavior; Social Psychology; Verbal Behavior
URL: https://escholarship.org/uc/item/9ss5q647
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14
Repeat After Us: Syntactic Alignment is Not Partner-Specific
In: J Mem Lang (2019)
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15
Grammatial encoding
In: The Oxford handbook of psycholinguistics (Oxford, 2018), p. 432-460
MPI für Psycholinguistik
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16
The priming of basic combinatory responses in MEG.
Blanco-Elorrieta, Esti; Ferreira, Victor S; Del Prato, Paul. - : eScholarship, University of California, 2018
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17
Toward A database of intracranial electrophysiology during natural language presentation
In: Prof. Levy via Courtney Crummett (2018)
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18
The role of working memory for syntactic formulation in language production
In: J Exp Psychol Learn Mem Cogn (2018)
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19
The effect of anomalous utterances on language production.
In: Memory & cognition, vol 45, iss 2 (2017)
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20
The Priming of Basic Combinatory Responses in MEG
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